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The sketch took about two hours to draw. Hands holding. Pink ribbon. Quiet sunset. The conversation that created it? That took two hours. And by the end, everyone on the video call was crying, including Megan and me. We’d been hired to design a card for Breast Cancer Awareness Month. But what was actually delivered was something else entirely. When the Room ChangedThe project brief was straightforward: create something meaningful for employees affected by cancer. A card, maybe a poster. Something to show the company was aware of the struggle. Twelve people joined the call. HR representatives, communications team members, a few managers. They’d invited Stephanie, the colleague at the center of this awareness campaign. She was fighting stage four breast cancer that had spread throughout her body. When Stephanie appeared on screen, the room changed. Not because anyone said anything dramatic. But because suddenly this wasn’t about designing something generic for “cancer awareness.” This was about something different. This specific person. This real human being sitting in her living room, joining a work call while navigating something unimaginable. The conversation that followed wasn’t about color schemes or messaging strategies. It was about a journey. About colleagues who’d been touched by cancer. About fear and hope and the strange way grief shows up in workplace meetings. People shared stories I’m certain they’d never told in a professional setting before. We were supposed to be capturing ideas for a design. Instead, it was much more about witnessing something well beyond that: a group of people being truly honest with each other. I stopped taking notes about design concepts. Instead, I started sketching what I was hearing. Not visual ideas for a card, but the emotional truth of what was happening in that room. What We Were Actually DoingThe grief. The connection. The way people were finally saying things they’d been carrying alone. When the call ended, there were pages of sketches and notes that had nothing to do with typography or color palettes. What I had was a clear picture of what these people needed to see reflected back to them. The sketch wasn’t complicated. Hands reaching toward each other. A ribbon that felt like hope, not just awareness. A sunrise/sunset suggesting both ending and beginning. This wasn’t some meeting about “awareness messaging.” This was about loss. About support. About showing up for each other in the hardest moments. Sketching for groups is about the drawing, sure. It helps being able to put pen and marker to paper and create visuals that resonate. But those visuals only really “work” when the listening happens at the core. Without that element, it just becomes whatever the artist thinks is most important, which sometimes amounts to nothing more than a lucky guess. That two-hour call wasn’t about drawing skills. It was about hearing what people were actually saying underneath their words. The grief they couldn’t name directly. The support they wanted to offer but didn’t know how. The fear that showing up authentically at work might somehow be unprofessional. In the end, the sketch was a reflection back on what they’d shared, not what I thought a cancer awareness card should look like. The Real WorkMost people spend their entire careers in meetings where they’re not truly heard. Where the loudest voice wins, or the predetermined agenda bulldozes over what people actually need to discuss. Where “listening” means waiting for your turn to talk. There’s an entire industry built around people wanting to be heard. But most of the time, being heard doesn’t come with anything tangible to hold onto. You leave a session maybe feeling understood, but you don’t have proof it happened. No artifact that captures what was shared. No evidence that your words mattered beyond that moment. That card went to hundreds of employees. But it wasn’t just a piece of corporate communication. It was evidence that someone had sat with their grief, their fear, their hope. That someone had listened to what they actually needed to say, not just what the brief required. Listening is the deliverable.Will you take the chance to really listen to each other in your next meeting Or in your conversations with a family member or friend? The sketch I mentioned, the strategy session, the visual artifact - those are just the proof that the real work happened. That someone showed up with their full attention and reflected back what they heard. In a world of AI responses and automated everything, the competitive advantage isn’t speed or efficiency. It’s human attention. Deep, patient, judgment-free listening that transforms into something you can hold, share, and return to when you need to remember that you were heard. Grateful you are here, Wade |
Visual Notes, Quiet Wisdom, and the Power of Being Present—In Your Inbox Every Week
DRAW WHAT MATTERS Wade Forbes Halfway through the weekend of a youth retreat this past spring, I observed something profound (at least to me)…a few kids took off their headphones and started drawing during my lesson. The rest of the weekend, those headphones had been on. For this group of kids, the retreat had a lot of stimulation going on. The singing, the yelling (the good kind), the dancing, the emotion of some of the talks. These kids needed a quiet space, like many of us do, and the...
At the end of May, I went to three different events. A celebration of life, a church cookout, and a neighborhood block party. As usually happens when meeting new people, we started talking about what we do for a living, meaning I’d give the same answer I’ve been giving for nearly seven and a half years. I draw summaries of meetings. And the same thing happened next, each time. The other person nodded. They sort of didn’t really get it. So I’d reach for my phone to show them a picture of the...
What if I asked you to draw me an S…not just any s, but the S. Right now, on whatever's in front of you. Bet you could do it, or at least picture it. Six lines first, three and three stacked on top of each other. Pointy at the top, symmetrical, shaded so it looks 3D. You know the one I'm talking about. Megan, the boys, and I did it the other night. All four S's, lined up. You could barely tell whose was whose. You probably just drew the same one too. And if not, I bet you will soon, next time...