|
Megan and I love watching The Great British Bake Off. Our teenage sons even enjoy it, too. If you haven’t seen it, the title is pretty self-explanatory. It’s a competition series where bakers compete under time pressure, trying to bake the hell out of something with all the technical skill and creative interpretation in order to impress the judges. And they have Alison and Noel to lightheartedly manage the stress level in the tent. Contestants get challenges like “bake a Charlotte Russe” or “create a Battenberg cake.” They have to keep the standards super high, figure out a “new” way to do it, and also beat the clock. They aren’t just baking the thing. They’re making it and baking it in a way they think will win. Sure, they can all probably execute a perfect Victorian sponge cake technically. But if they don’t understand what the judges really want (without being told), or what they’re looking for beyond basic technique, well, then they don’t stand much of a chance. In this way, there are two separate challenges happening at once. One is about execution and the other is about interpretation. The Two-Layer Challenge British Bake Off chefs have to deliver a baseline of technical excellence, which is to be expected. But they also have to do it while bringing their own creativity and understanding of the unspoken expectations. Let’s call that reading the room. Because what looks like perfection for one judge, might be completely different for another. There’s no standard cookbook recipe for this kind of challenge. I can totally understand this, because where I’m concerned, this maps exactly to client work. When someone needs something visual for their team, a project, a book or a mural, they often can’t articulate exactly what style they want. They might not even know that style until they see it. But they’ll definitely recognize it when it’s right. The work is interpreting what they need as much as it is getting the right information on the page. Military sessions require different visual language than children’s book illustrations (obviously). The Gratitude Express needed different energy than corporate strategy murals. A church sketch serves a different purpose than a non-profit briefing. At the core is the same skill - visual listening - but a different interpretation every time. I adapt the style I illustrate in to what the work needs, combining the audience, the content and the moment all in one. How Repetition Builds Range I suspect the The Bake Off contestants can adapt to anything because they’ve baked everything. The same principle applies here. Daily practice across different contexts builds the range to handle whatever shows up. Post-it notes, church sketches, corporate strategy sessions, book illustrations, murals. Humans, animals, landscapes. Submarines for the Navy, abstract concepts for executive coaches, town scenes for real estate, medical diagrams for healthcare. When something gets thrown in mid-session, there’s no need to panic. The preparation already happened through all those other activities. The breadth comes from repetition. Trying different things in different contexts until the technical skill becomes second nature and the brain space opens up for interpretation. Real-Time Adaptation The compelling part of Bake Off isn’t necessarily hearing the contestants’ backstories, though we do have people we root for, and did I mention it is heartwarming? It’s watching them do it in real time. Seeing them adapt to the challenge, read the judges, make decisions under pressure. I like to think the same principle applies to this work. The real value isn’t just putting the marker to the paper (off camera, or prior to the event). It’s more that whatever gets brought to any session will be captured in a way that fits the specific context, without needing to explain what “right” looks like. The Winner At the end of each Bake Off episode, the winner isn’t solely the most technically perfect baker. It’s the person who rocked a Frangipane tart while reading the judges and bringing their own interpretation to match the goal, even when it wasn’t stated explicitly. That’s the skill. Technical excellence is the baseline. Reading the room and adapting to it is what makes the work actually land. Same show, different episode every time. What’s your British Bake Off moment? Same core skill, different interpretation based on what that particular challenge needs. Just don’t ask me to give you a Kouign-amann in real-time. Then we’d have a problem. Grateful you are here, Wade |
Visual Notes, Quiet Wisdom, and the Power of Being Present—In Your Inbox Every Week
I have a suggestion for a great resource and inspiration for drawing. Maurice Sendak’s Where the Wild Things Are. You remember this book, right? It’s iconic and fun and a little fierce. Kids understand it on a base level, even if they’ve never read (or been read) the book. Though so many have. The monsters are approachable. You can actually learn to draw them. They look cool, but they’re not intimidating to attempt. That combination matters. This weekend, I got to see what happens when you...
We were pulling together some tax stuff and doing Q1 planning recently. Very corporate, I know. While reviewing the numbers, something jumped out at me: Over 75% of last year's revenue came from returning clients. In a creative services industry where most engagements often are one-off projects, that number stood out to me. Coming back for visual work month after month and year after year isn’t typically where businesses see themselves early on. But as it turns out, it's really about what...
Every morning when I’m not in a workshop, I draw a quote, illustrated on a post-it note. Then, I take a picture of it and text it to about 250 people. One-by-one. One phone number after another until I get through my list. This isn’t through a bulk SMS service, and it’s definitely not automated. Just going into my contacts and hitting send. Takes about an hour to draw and edit the image. Another 20-30 minutes to send them all out. Going on 5 years now. Megan’s oft-asked question is some...